Documentary Palestine Lebanon Egypt and the Maghreb Iraq SyriaĤ. The Filmmakers The New Importance of Women Filmmakers Questions of Identity Training Funding A Cosmopolitan Generationģ. Other forms of cultural creation presented themselves, different ways in which Arab artistic expression could reflect its time-in the visual arts, theatre, music and in particular the cinema. isbn 978-6-7 (cloth) isbn 978-2-8 (paperback) isbn 978-8-0 (ebook) 1 2 3 4 5 20 19 18 17 16 15Īrab cultural modernity in the twentieth century was probably even more far-reaching than during the nineteenth-century renaissance, since it went beyond the written word. Manufactured in the United States of America Cataloging information is available from the Library of Congress. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ansi z39.48-1992. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. This book is a publication of Indiana University Press Office of Scholarly Publishing Herman B Wells Library 350 1320 East 10th Street Bloomington, Indiana 47405 USA Telephone 80 Fax 81 © 2015 by Roy Armes All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. Indiana University Press Bloomington and Indianapolis

“Imbued with a spirit of constant discovery, superbly organized and even-handedly written, New Voices in Arab Cinema instantly becomes the go-to book on the subject and is an absolutely essential volume for any serious collection. Armes concentrates in particular on those Arab filmmakers who were born in the 1960s and who made their breakthrough in the 2000s.69.2” “rovides a panoramic overview of the cinematic works of the contemporary generation of Arab filmmakers who have used cinema as a way of exploring their cultural memory, national identity, and political history. “While the book’s general overview perhaps makes it more appropriate for the generalist or beginning student of Arab cinemas than the established researcher (and the author’s clear, readable style makes it very accessible), Armes has, as always, marshalled so much careful information here that even seasoned scholars will find that there are filmmakers or films here that they learn about for the first time.” The author manages to reveal many fascinating behind-the-scene stories about the filmmakers and films he writes about.Sept 15, 2016” “I would like to conclude this review by giving this work a 'thumbs up' for its thoroughness and excellent research. The author’s extensive work over the years on Third World cinema is manifested here in a deep understanding of Arab cinema and,particularly, the forces that have led to the ﬁlmic new voices of the 2000s.50.1 2016” “Armes’s vast research results in a book that addresses dozens of ﬁlmmakers and ﬁlms in the various ﬁlm-producing Arab countries. “In short, for anyone interested in knowing about movements and trends in twenty-first-century Arab cinema, this survey is indispensable.52.2 2017” Serves as a corrective and counter-reading of received views and stereotypic assumptions about the Arab world.” “Roy Armes' scholarly productivity and original contributions to film studies continue without pause. Kevin Dwyer, American University in Cairo

“This overview of Arab filmmakers comes from an author with a proven record of valuable and accessible publications.” “This landmark book focuses on contemporary filmmaking since the 1980s, but also considers the longer history of Arab cinema, offering both a coherent, historical overview and an in-depth critical analysis of Arab filmmaking.” He has published widely on world cinema and is author of Dictionary of African Filmmakers (IUP, 2008). Roy Armes is Professor Emeritus of Film at Middlesex University. This landmark book offers both a coherent, historical overview and an in-depth critical analysis of Arab filmmaking. Taking into consideration film from the Middle East and North Africa and giving a special nod to films produced since the Arab Spring and the Syrian crisis, Roy Armes explores themes such as modes of production, national cinemas, the role of the state and private industry on film, international developments in film, key filmmakers, and the validity of current notions like globalization, migration and immigration, and exile. New Voices in Arab Cinema focuses on contemporary filmmaking since the 1980s, but also considers the longer history of Arab cinema. A Choice Outstanding Academic Title for 2015

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